Tuesday, October 31, 2017
Avatar 2009 online stream
Avatar 2009 Stream Hd, Avatar 2009 Ganzer Film, Avatar 2009 Mit Untertitel Stream
Avatar 2009 | |
Zeitdauer | 173 Besprechungsprotokoll |
Verzicht | 2009-12-10 |
Güte | WMV 1440p DVD |
Genre | Action, Adventure, Fantasy, Science Fiction |
Ausdrucksweise | English, Español |
castname | Grmek U. Tanner, Cruz L. Ahmar, Raffy E. Antone |
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Honda SC 45 – Wikipedia ~ Die Honda SC 45 ist ein Motorradmodell der Kategorie SupersportlerSuperbikes des japanischen Herstellers Modell wurde von 2000 bis 2001 als VTR 1000 SP1
Triumph TR6 – Wikipedia ~ Der Triumph TR6 ist ein von 1968 bis 1976 produzierter Roadster des britischen Autoherstellers seines guten PreisLeistungsVerhältnisses verkaufte sich der TR6 über 94600 Mal Geschichte Der Triumph TR6 wurde 1968 vorgestellt
Aprilia RSV 1000 R – Wikipedia ~ Die Aprilia RSV 1000 R ist ein als Supersportler konzipiertes Motorrad des italienischen Herstellers Aprilia Die RSV 1000 R trat im Jahr 2004 mit umfangreichen Modifikationen am Motor und Aussehen die Nachfolge der RSV Mille an Zusätzlich wurde das Motorrad in der Standardversion als Modell R und als Spitzenmodell Factory mit zahlreichen Teilen aus kohlenstofffaserverstärktem Kunststoff
Liste der HondaMotorräder – Wikipedia ~ Diese Liste der HondaMotorräder ist chronologisch und nach Motorradtypen gegliedert Aktuelle in Deutschland erhältliche Modelle sind mit fetter Schrift hervorgehoben Die angegeben Jahreszahlen dienen nur der groben Orientierung
Scham und Schuldkultur – Wikipedia ~ Die Begriffe Schamkultur und Schuldkultur bezeichnen einander gegenübergestellte Konzepte die Kulturen danach unterscheiden ob diese sich eher äußerer oder innerer Instanzen für den Umgang mit Fehlverhalten zur Konfliktregulierung bedienen Die Gegenüberstellung der Schamkultur die vornehmlich dem Nahen und Fernen Osten zugeschrieben wird und Schuldkultur die Teilen der westlichen
Hausunterricht – Wikipedia ~ Hausunterricht auch häuslicher Unterricht Heimunterricht Domizilunterricht oder Homeschooling ist eine Form der Bildung und Erziehung bei der die Kinder zu Hause von den Eltern oder von Privatlehrern statt in Schulen unterrichtet werden Die konkrete Praxis des Hausunterrichts kann sehr unterschiedlich aussehen Das Spektrum reicht von stark strukturierten an traditionellem
Freikirchen in Österreich – Wikipedia ~ Die Freikirchen in Österreich FKÖ sind seit 2013 eine anerkannte Religionsgemeinschaft in Österreich und bestehen aus fünf freikirchlichen Bü Freikirchen praktizieren die Gläubigentaufe lehnen also die Taufe von Kleinkindern ab Ihnen gehören ungefähr 20000 Menschen in 160 Gemeinden an
1 Brief des Paulus an die Korinther – Wikipedia ~ Als Autoren werden zu Beginn des Briefes Paulus von Tarsus und sein Begleiter Sosthenes angeführt 1 Kor 11 LUTIm weiteren Verlauf redet Paulus die Gemeinde dann aber durchwegs in der IchForm an beginnend mit 1 Kor 14 EU so dass Paulus als der eigentliche Verfasser des Briefes seiner Verfasserschaft gibt es unter Theologen keinen Zweifel
Kami – Wikipedia ~ Allgemein bezieht sich das Wort ‚Kami‘ in erster Linie auf die verschiedenen Kami des Himmels und der Erde in den japanischen Klassikern und die Geister die in ihren Schreinen eingeschreint sind und unnötig zu sagen daß es sich auch auf Menschen bezieht sogar auf Vögel und Tiere Gras und Bäume Meere und Berge – und alles sonst was überragende und außergewöhnliche Macht
Citroën C4 – Wikipedia ~ Modellpflege Nachdem seit dem Verkaufsstart im Herbst 2004 weltweit über 900000 Modelle des C4 verkauft worden waren stellte Citroën am 26
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Heat 1995 online stream
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Heat 1995 | |
Dauer | 111 sehr klein |
Befreiung,Entbindung | 1995-12-15 |
Qualität | SDDS 1440p BRRip |
Gattung | Action, Crime, Drama, Thriller |
Sprache | English, Español |
castname | Nishma Z. Cyprien, Marier Q. Tamjid, Tifenn T. Kaliah |
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"
You don't live with me, you live among the remains of dead people.
Heat is written and directed by Michael Mann. It stars Robert DeNiro, Al Pacino, Val Kilmer, Jon Voight, Tom Sizemore, Diane Venora, Ashley Judd, Amy Brennerman and Danny Trejo. Music is scored by Elliot Goldenthal and cinematography by Dante Spinoti.
Big time thief Neil McCauley (DeNiro) is after one last major score before he retires, but hot on his tail is Vincent Hannah (Pacino), a cop equally and methodically as driven as he is himself.
In the build up to Heat's release, much was made of it being the first on screen pairing of DeNiro and Pacino. A mouthwatering prospect for sure, it proved to be worth the wait and unfolds as a lesson in restrained acting with two modern greats affording each other the respect that was due. What we didn't realise in the build up to the film's release, was that it would prove to be one of the greatest cops and robbers movies of all time, brought to us by an auteur director whose kink for realism and commitment to research stands him out from much of the modern directing pack.
Rarely does a film come together as one, where all the cogs of the engine are in tune, but Heat is one such picture. From cast performances to visual aesthetics, to screenplay and actual substance of story, Heat is as meticulous as it is thrilling. There are a myriad of characters brilliantly stitched together in one de-glamorised City of Angels, as plot develops, and each character and their crumbling relationships come under inspection, we are witnessing a coarse viewpoint of human nature, where people's lives are ended or defined by their choices. Everywhere you look, here, there are folk cracking under the strain of being exposed to high end crime, dreams, hopes and happiness are unlikely to be achieved, and this is on both sides of the law.
For Heat, Mann fuses the tonal and visual ticks of Manhunter with that of the adrenalin rushes from Last of the Mohicans, with the former gorgeously born out by Spinoti's pin sharp photography, the latter thrillingly realised by Mann's skill at action set pieces. Once again word of mouth about the key heist and shoot out in the film led to high expectation, and again there is no disappointment. L.A. becomes a battle ground, rapid gunfire punctures the air, cars swerve and crash, bodies fall, visually and aurally it drags you to the edge of your seat, an extended action sequence fit to sit with the best of them. The kicker as well is that because Mann has been so detailed in his characterisations, we care about what happens to all parties, we understand motives and means. Which in a film with such a huge support cast is quite an achievement.
There is enough in Heat to fill out a dozen other cops and robbers films, fans of neo-noir and crime films in general are spoilt supreme here. It's not rocket science really, put a group of great actors together, give them an intelligent script to work from and let them be guided by a director who will not sit still, and you get a great film. Heat, the ultimate predator and prey movie, where from beginning to end it refuses to be lazy or cop out, and energy and thought seeps from every frame. 10/10
Partly I'm disappointed in myself for taking so long to watch _Heat_ because it's such a massive influence on one of the best movies ever (_The Dark Knight_), and one my favourite video games ever (_Payday: The Heist_).
Mostly though, I'm disappointed in myself for taking so long to watch _Heat_ because I've denied myself for so long the privilege of having seen such a great fucking crime movie.
_Final rating:★★★★ - An all round good movie with a little something extra._
TShirt – Wikipedia ~ Ein TShirt ˈtiːʃœːɐ̯t von englisch shirt ‚Hemd‘ in Bayern Schwaben Schweiz Südtirol und in Österreich auch Leibchen Leible genannt in Bayern und Österreich auch Leiberl in Ostdeutschland auch als Nicki bezeichnet ist ein Kleidungsstück aus Baumwolltrikot mit meist kurzen Ärmeln einem runden oder Vförmigen Ausschnitt ohne Kragen Taschen oder Knöpfe
T 185 – Wikipedia ~ Der T 185 ist ein ab 1979 im VEB WeimarWerk gebauter Mobilbagger mit hydraulischem Antrieb Der Bagger T 185 ist eine mit 90 Stück gebaute Nullserie vom T 174 hin zum T 188 und war somit stark an seinen Vorgänger angelehnt Da die Tragfähigkeit gegenüber dem T 174 nicht erhöht wurde sie lag auch hier bei 25 t und die Wartung einzelner Komponenten nicht effizienter gestaltet war
T 172 – Wikipedia ~ Der Seilbagger vom Typ T 172 auch Lader T 172 ist der Nachfolger des T 170 und wurde von 1962 bis 1967 im VEB WeimarWerk produziert Der 5 Tonnen schwere T 172 wurde konzipiert für Greifer und Lasthaken als universeller selbstfahrender Lader für die Nutzung in der Landwirtschaft
Album – Wikipedia ~ ist das zweite Musikalbum der australischen HardRockBand AC wurde im Dezember 1975 ausschließlich in Australien auf Albert Productions verö Folgejahr wurden jedoch sieben Songs der LP zusammen mit zwei Titeln des australischen Debütalbums High Voltage das Anfang 1975 ebenfalls nur in Australien erschienen war als Kompilation auch international auf Atco Records
tTest – Wikipedia ~ Der tTest ist ein Begriff aus der mathematischen Statistik er bezeichnet eine Gruppe von Hypothesentests mit tverteilter Testprüfgröß ist jedoch mit dem tTest der Einstichproben bzw ZweistichprobentTest auf einen Mittelwertunterschied EinstichprobentTest auch Einfacher tTest engl onesample ttest prüft anhand des Mittelwertes einer Stichprobe ob der
T35 – Wikipedia ~ T35 Schwerer Panzer T35 von 1933 Allgemeine Eigenschaften Besatzung 11 Länge 972 m Breite 320 m Höhe 543 m Masse 50 t Stückpreis 525000 Rubel
T44 – Wikipedia ~ Entwicklung Der T44 war eine 1944 entstandene Weiterentwicklung des T34 vom Konstruktionsbüro Morosow Werk No 183Er verfügte über eine stärkere Panzerung und war einfacher zu produzieren als der T34 doch die Bewaffnung ließ sich nicht über die 85mmKanone des T3485 hinaus steigern
TPain – Wikipedia ~ TPain er 1985 in Tallahassee Florida bürgerlich Faheem Najm ist ein USamerikanischer Rapper RBSänger sowie T in „TPain“ steht für seine Geburtsstadt Tallahassee in Florida TPain ist auch unter verschiedenen Pseudonymen wie Teddy Pain oder Teddy Verseti bekannt
Cessna T37 – Wikipedia ~ Die Cessna T37 Tweet ist ein unterschallschnelles zweistrahliges Schulflugzeug das von vielen Luftstreitkräften genutzt gehörte bis 2009 auch die deutsche zwei Sitze der Maschine sind nebeneinander angeordnet was dem Fluglehrer ermöglicht dem Schüler „auf die Hände zu schauen“ und eventuelle Fehler direkt anzusprechen
T10 – Wikipedia ~ T10 Schwerer Panzer T10M Allgemeine Eigenschaften Besatzung 4 Länge 987 m 106 m T10M Breite 356 m Höhe 243 m Masse 52 t Panzerung und Bewaffnung
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Jurassic Park 1993 online stream
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Jurassic Park 1993 | |
Zeitdauer | 111 kleinst |
Abgabe | 1993-06-11 |
Güte | FLV 1080p Bluray |
Buchgattung | Adventure, Science Fiction |
Fachsprache | English, Español |
castname | Hondt D. Mozella, Louane G. Linsey, Aissata D. Droz |
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If you somehow missed this movie and have never seen it then watch it immediately. As a young boy of 9 on my way to the cinema I wasn't at all prepared for the on-screen awesomeness I was about to witness, one of the defining movies of my childhood and of the modern age. With special effects that simply blew any and all previous dino movies out of the water, compelling story and the odd comic moment such as the Mr Arnolds arm it really did make that evening something I will remember forever. So successful it went on to spawn 3 sequels, the second was enjoyable, the third not so much. The newest Chris Pratt one, I'll leave that for you but its worth a watch, especially if you want to wash the taste of the 3rd one out of your mouth. It gave me nightmares for weeks, really really wonderful nightmares.
I love it. There are movies coming out right now, 25 years later, with triple the budget (even _Jurassic_ movies) where the effects just cannot hold a candle to _Jurassic Park_. If that was the **only** thing it had going for, it would be enough for me to recommend this movie for all, but make no mistake, _Jurassic Park_ is **great** with or without them (but thank God it's with).
_Final rating:★★★★ - Very strong appeal. A personal favourite._
"Life finds a way… to let us enjoy dinos in theaters"
Filthy rich millionaire John Hammond (Richard Attenborough) is about to open a dinosaur theme park. He invites a couple of experts to satisfy his investors. During a preview tour things go awfully wrong.
While ‘Jurassic Park’ is too simplistic to be a perfect movie it is blockbuster cinema at its very best. Spielberg grabs you by the throat from the get go and you instantly know you’re in for quite a ride.
The story is simple but effective. Author Michael Crichton did his very best to make the cloning dinosaurs part plausible. When you have living giant meat-eaters in your amusement park it’s not hard to come up with something which causes things to go south so fast before you can say T-rex.
The movie works because it doesn’t take itself too seriously. The characters are somewhat underdeveloped but their main purpose is to serve as dino treats. The Ian Malcolm character (Jeff Goldblum) is of little use but he’s funny. Grumpy Dr. Grant (Sam Neill) is the perfect counterpart. You can’t help but root for these characters.
What makes the movie stand out are the ground-breaking special effects. Even to this day it’s remarkable what ILM and Stan Winston’s crew achieved. Although a 'Jaws' approach would have perhaps worked better (Love the shot of the T-rex’ leg in the mud) the dinos look so realistic.
What ‘Jurassic Park’ does have in common with 'Jaws' is John Williams’ score. Although not as ominous and iconic as 'Jaws', Williams went for wonderment this time around. Perhaps not regarded as his most famous work it’s amazing. When the experts travel to the island Williams’ score does indeed give you a sense of wonderment. The scene where the visitors first lay eyes on the dinosaurs is movie magic.
Rereleased for its 25th anniversary it’s safe to say we rarely have had more fun in the cinema than while watching 'Jurassic Park'.
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Monday, October 30, 2017
Iron Man 2008 online stream
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Iron Man 2008 | |
Zeitdauer | 132 Sitzungsprotokoll |
Freigabe | 2008-04-30 |
Güte | MPEG 1440p DVD |
Genre | Action, Science Fiction, Adventure |
Ausdrucksweise | English, فارسی, اردو, العربية |
castname | Jyotsna S. Corinne, Wallon O. Desire, Lucille H. Joyann |
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"
Imaginative illustration of an epic story. It combines the modern background society, e.g. terrorism, with the unconventional high-tech fantasy. Our leading actor Robert Downey Jr. deeply embodies the soul of the Iron Man in himself. We common people never lived this way :P
**A long form review originally posted in 2010:**
Marking the beginning of the latest Marvel franchise, _The Avengers_, is Jon Favreau's _Iron Man_.
I'm quite fond of Super Hero movies, I don't love them to the same extent that I do the slasher or psychological thriller genres, but they do hold a small place in my heart all to themselves. I'm pretty pumped for this whole "Avengers" thing to come to fruition, 'cause honestly it's all been great so far, starting with Iron Man, whom Robert Downey Jr. (_Natural Born Killers, Gothika, Kiss Kiss Bang Bang, A Scanner Darkly, Zodiac, Sherlock Holmes, Due Date_) portrays, and incredibly so.
It's important to set yourself a starting point. More specifically, what I mean is, a reason. Batman's parents were murdered, and his home was destroyedby crime; The Punisher's whole family was murdered in front of him and he big-time snapped; characters like the X-Men and the Fantastic 4 are defending themselves and end up having a penchant for world-saving. Those are all fine, and so long as you have one, I'm happy. But I really kind of like Tony Stark's reason for becoming Iron Man... He's a dick. That's why. He's a dick that supplies the world with the most lethal weapons in existence, and they take lives left, right and centre. Then, he's put through the world where they get used, and finally is told by the person who helped him escape that world, not to waste his life. He believes he is still alive for a reason, he decides that reason is to become a dick that is intent on privatising world peace. Which I think makes perfect sense.
That may have come across as sarcasm, but I was deadly serious. Tony Stark becomes Iron man, and that's why. It works fantastically. We then get to see all the incarnations of his suit, how difficult it was to make, what it runs on, the technology, everything. And I'm a huge fan of back story, which Iron Man delivers.
It's sort of the antithesis of DC's _Batman Begins_. Though they're both young adults that come from money with no family, a British butler (although Iron man's butler Jarvis was transformed into AI for the film [he was an actual person in the comics]), they have a board of directors take care of their family's billionaire business until they're ready to eventually take the reins, they both become "____ Man" and go about saving the innocent, not through superpowers but technology. I'm sure I could go on. But they're also incredibly different. Where Batman is a total bad ass, the gothic unknown defender of the night that uses fear as a weapon to protect his home town, and yet refuses to kill; Iron Man is a bright, shiny, loud attention grabber, who goes all international to fight crime, he wants the world to know he's Iron Man and his enemies are totally lame, so no wonder he has no qualms about killing! Batman's secret identity, Bruce Wayne, is an angsty tosser, that tries way to hard. But Tony Stark, is a witty, brilliant inventor, who has basically harnessed all of Batman's training, strength, weapons, vehicles and flight, improved them, and put them in to a single suit. So though I personally prefer Batman as a hero, I prefer Tony Stark as a character.
The interaction between Stark and Pepper Potts, played by Gwyneth Paltrow (_Se7en, The Talented Mr. Ripley, The Royal Tenenbaums, Sky Captain and the World of Tomorrow_) was incredible. It just goes to show what good casting can achieve, even in an action flick, the dialogue is hilarious and clever. Is it possible for a Super Hero movie to be a bad Super Hero film but a great film? I guess it is.
The antagonists are lacking to say the least, and their dispatching leaves even more to be desired. Which is normally not too huge when you get the rest so perfect, unfortunately, it's a comic book film, about Super Heroes, and Super Villains. They fight one another over and over, in fact that's pretty much what the comics are about in their entirety, so it's quite a major short coming. That being said, it's really the only one that _Iron Man_ has. In a way though, they're a similar comparison to the latest Batman films again; Iron Monger and Whiplash are flashy, but disappointing, where The Joker, Two-Face, Scarecrow and Ra's al Ghul are top notch as bad guys. Whereas Ironman's Obadiah Stane and Ivan Vanko were great characters, but Batman's The Joker is only seen in his villain persona, and Harvey Dent, Jonathan Crane and Henri Ducard are nothing more than vessels for their alter-egos.
All that aside, the film is just plain good, and you don't need to be a fan of Iron Man, Super Heroes or comics in general to enjoy _Iron Man_.
82%
-Gimly
Mangan – Wikipedia ~ Mangan maŋˈɡaːn ist ein chemisches Element mit dem Elementsymbol Mn und der Ordnungszahl 25 Im Periodensystem steht es in der 7 Nebengruppe 7 IUPACGruppe der ist ein silberweißes hartes sehr sprödes Übergangsmetall das in manchen Eigenschaften dem Eisen ähnelt Mangan kommt in der Natur vorwiegend als Braunstein vor und wird in großen Mengen abgebaut
Manchester – Wikipedia ~ Die fehlende Vertretung im Parlament hatte zur Folge dass die Bevölkerung radikalen politischen Ideen gegenüber sehr aufgeschlossen war 1819 kam es zum der Parlamentsreform von 1832 durfte die Stadt wieder Abgeordnete ins Unterhaus entsenden
LagrangeFormalismus – Wikipedia ~ Der LagrangeFormalismus ist in der Physik eine 1788 von JosephLouis Lagrange eingeführte Formulierung der klassischen Mechanik in der die Dynamik eines Systems durch eine einzige skalare Funktion die LagrangeFunktion beschrieben Formalismus ist im Gegensatz zu der Newtonschen Mechanik die a priori nur in Inertialsystemen gilt auch in beschleunigten Bezugssystemen gültig
RedoxPaar – Wikipedia ~ Ein RedoxPaar auch korrespondierendes RedoxPaar genannt ist eine Teilreaktion Halbreaktion einer Redoxreaktion In allgemeiner Form gilt ⇌ − wobei Red für die reduzierte Ox für die oxidierte Form eines Teilchens Molekül Atom oder Ion und n für die Anzahl von Elektronen e − steht Von links nach rechts gelesen tritt Red als Elektronendonator auf
Minneapolis – Wikipedia ~ Minneapolis ˌmɪnɪˈæpəlɪs ist mit rund 382500 Einwohnern die bevölkerungsreichste Stadt im USBundesstaat n mit St Paul bildet sie die Metropolregion der Twin Cities mit über 35 Millionen Einwohnern Stand 2016 Der Name der Stadt entstammt einer Wortkombination aus zwei Sprachen dem Wort der DakotaIndianer für Wasser „minne“ und dem griechischen Wort
Erz – Wikipedia ~ Erz Plural Erze ist ein aus der Erdkruste bergmännisch abgebautes und meist zusätzlich mechanisch sowie chemisch weiterverarbeitetes Mineral gemenge das historisch ausschließlich wegen seines Metallgehaltes abgebaut wurde um es für Werkzeuge und Ähnliches weiterzuverarbeiten Die Kupfersteinzeit die Bronzezeit sowie die Eisenzeit verdanken ihre Namen indirekt diesem Ausgangsstoff
Dyadisches Produkt – Wikipedia ~ Das dyadische Produkt kurz auch Dyade von griech δύας dýas „Zweiheit“ oder tensorielle Produkt ist in der Mathematik ein spezielles Produkt zweier Ergebnis eines dyadischen Produkts ist eine Matrix also ein Tensor zweiter Stufe mit dem Rang eins Das dyadische Produkt kann als Spezialfall eines Matrizenprodukts einer einspaltigen Matrix mit einer einzeiligen Matrix
Maximumsnorm – Wikipedia ~ Die Maximumsnorm Maximumnorm oder TschebyschewNorm ist eine spezielle Norm für Funktionen beziehungsweise für Vektoren oder ist ein Spezialfall der Supremumsnorm
Dithiocarbamate – Wikipedia ~ Als Dithiocarbamate auch Dithiourethane genannt werden Ester und Salze bzw deren Derivate der Dithiocarbamidsäure bezeichnet Sie sind Dischwefelanaloga der allgemeine Struktur ist R 1 –N–R 2–CS–S–R 3 wobei R 1 R 2 und R 3 für austauschbare Reste stehen Sie werden häufig in der Landwirtschaft als Fungizide Herbizide und Insektizide in der chemischen
Siebeneck – Wikipedia ~ Nimmt man zu den klassischen euklidischen Werkzeugen Zirkel und Lineal noch ein Extrawerkzeug zur Dreiteilung des Winkels wie z B einen Tomahawk so kann das Siebeneck jedoch exakt konstruiert werden Bei gegebenem Umkreis Konstruiere einen Kreis den späteren Umkreis des Siebenecks um einen Mittelpunkt O auf einer Grundlinie AZ
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Sunday, October 29, 2017
The Matrix 1999 online stream
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The Matrix 1999 | |
Zeitdauer | 114 Memorandum |
Freilassung | 1999-03-30 |
Qualität | DAT 1080p DVDScr |
Gattung | Action, Science Fiction |
Programmiersprache | English |
castname | Aïcha G. Zakar, Sarai C. Ysee, Meïr W. Mailys |
The Matrix 1999 online filme gucken
"
The Martix is a great example of a movie that will live for ever or a very log time. The story and concept are out of this world. Keanu Reeves plays his role with utter brilliance, the cast was very well put together and the graphics are still to this day amazing. All in all one of the best movies of all time.
Get this: what if all we know as reality was, in fact, virtual reality? Reality itself is a ravaged dystopia run by technocrat Artificial Intelligence where humankind vegetates in billions of gloop-filled tanks - mere battery packs for the machineworld - being fed this late '90s VR (known as The Matrix - you with us here?) through an ugly great cable stuck in the back of our heads. And what if there was a group of quasi-spiritual rebels infiltrating The Matrix with the sole purpose of crashing the ruddy great mainframe and rescuing humans from their unknown purgatory? And, hey, what if Keanu Reeves was their Messiah?
What sounds like some web freak's wet dream is, in fact, a dazzlingly nifty slice of sci-fi cool. The Wachowski Brothers (Andy and Larry - last seen dabbling in kinky lesbian noir with the excellent Bound) pulling off something like a million masterstrokes all at once. Taking the imprimatur of the video game, they meld the grungy noir of Blade Runner, the hyperkinetic energies of chopsocky, John Woo hardware and grandiose spiritual overtones into William Gibson's cyberpunk ethos to produce a new aesthetic for the millennium powered to the thudding beat of techno. And it is just incredible fun. The key is the technique of "flo-mo", a process born from Japanese animation, whereby an object in motion is seemingly frozen while the camera miraculously spins around it as if time and gravity are on hold. It grants the action (including some killer kung fu which Reeves and crew spent months perfecting) liberty to take on surreal visual highs. Superhuman feats permissible, of course, in the context of VR as the rebels download Herculean "talents" to fuel their subterfuge. Meanwhile, the audience can only gawp longingly, with its jaws thunking to the cinema floor in unison, as the heroes wrapped in skintight leather, sleek shades and designer cheekbones, spin up walls, leap from high rises and slip through streams of bullets in silken slo-mo. Tron this ain't.
Immediately reigniting the moribund cyberpunk genre (the kids can't get enough Stateside), this has thrust Reeves from his imploding career back to Speed highs (and laying to rest the hideous ghost of Johnny Mnemonic) and stolen much more of Star Wars' thunder than was thought humanly possible. For all its loony plot, The Matrix is fabulous.
Sure, the expert Fishburne is depended upon to expound the lion's share of the script as seer-like rebel leader Morpheus. Reeves, stunning in his newcast slenderness, as Thomas "Neo" Anderson, the hacker turned hope for all mankind (care of some ill-defined mystical calling) is asked little more than perpetual befuddlement. Like Speed, though, this movie plays on his iconic looks rather than his oak-like emoting. There's a major find, too, in the irresistible Carrie-Anne Moss, a majestically wrought combination of steely no-shit intelligence and rock-chick vivaciousness as fellow tripper Trinity. And Weaving, cast against type, neutralises his Aussie tones to a freaky deadpan, the head of the MiB-styled defence system set against the Goth invaders.
And sure, three minutes of post-movie deliberation and all this state-of-the-art cyberdevilry is reduced to the purest gobbledygook. That, though, is not the point. The Matrix is about pure experience; it's been many a moon since the Empire crew have spilled out of a cinema literally buzzing with the sensation of a movie, babbling frenetically with the sheer excitement of discovery.
From head to tail, the deliciously inventive Wachowskis (watch them skyrocket) have delivered the syntax for a new kind of movie: technically mind-blowing, style merged perfectly with content and just so damn cool, the usher will have to drag you kicking and screaming back into reality. You can bet your bottom dollar George never saw this phantom menace coming.
Verdict - The deliciously inventive Wachowskis have delivered the syntax for a new kind of movie: technically mind-blowing, style merged perfectly with content and just so damn cool.
5/5
- Ian Nathan, Empire Magazine
It was around 2001 that I first watched this film and recently giving it another go, ever since, doesn't change the fact for me that this movie is an timeless piece of filmaking. From the characters to the striking and thought-provoking story, it basically has everything to make an action film a 10/10 in a book.
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Twilight 2008 | |
Geltungsdauer | 197 Konzept |
Verzicht | 2008-11-20 |
Qualität | MPEG-1 720p Blu-ray |
Buchgattung | Fantasy, Drama, Romance |
Sprachfähigkeit | English |
castname | Ilwad Q. Campin, Keyana J. Rayssa, Lark G. Mercier |
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The Lord of the Rings: The Fellowship of the Ring 2001 online stream
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The Lord of the Rings: The Fellowship of the Ring 2001 | |
Dauer | 165 Memorandum |
Verzicht | 2001-12-18 |
Beschaffenheit | Dolby Digital 1080p HDTS |
Genre | Adventure, Fantasy, Action |
Ausdrucksweise | English |
castname | Laycee D. Rainer, Jayne J. Leisha, Viardot K. Kalee |
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Brooking no argument, history should quickly regard Peter Jackson’s The Fellowship Of The Ring as the first instalment of the best fantasy epic in motion picture history. This statement is worthy of investigation for several reasons.
Fellowship is indeed merely an opening salvo, and even after three hours in the dark you will likely exit the cinema ravenous with anticipation for the further two parts of the trilogy. Fellowship is also unabashedly rooted in the fantasy genre. Not to be confused with the techno-cool of good science fiction, nor even the cutesy charm of family fare like Harry Potter, the territory of Tolkien is clearly marked by goo and goblins and gobbledegook. Persons with an aversion to lines such as, “To the bridge of Khazad-dûm!” are as well to stay within the Shire-like comforts of home (their loss).
With those caveats in place, it bears repeating: fantasy does not come finer. There are electrifying moments — notably the computer-assisted swooping camera through Isengard as it transforms into a factory for evil — when Jackson’s flight of fancy approaches the sublime as the romantic poets would understand it: inspiring awe.
Leaving aside the thorny issue of Tolkien die-hards and their inevitable gripes — “What no Tom Bombadil?” — Jackson’s screenplay (written in collaboration with Fran Walsh and Phillipa Boyens) is both bolder and more judicious than Steven Kloves’ surprisingly timid retread of Harry Potter. In particular, rescuing the romance of Arwen and Aragorn from the footnotes and the elevation of Saruman to all-action bad guy actually has a corrective influence on Tolkien’s often oblique and female-sparse source material.
There are problems, though. The three-hour running time is high on incident and low on discernible form. After successive detours to Elf habitats Rivendell (the watery home of Elrond) and Lothlórien (the forest home of the Lady Galadriel), the uninitiated might well ask why these crazy Elf kids can’t just live together and spare us all this attenuated dramatic structure.
More importantly, the action clearly climaxes in the desperate flight from the Mines Of Moria, where the largely seamless SFX is showcased in the best possible light — total darkness — but the narrative demands a different, downbeat ending. Indeed, but for some fine emotional playing from Bean, Mortensen, Astin and Wood, the final fight might feel like a particularly brutal game of paintball in Bluebell Wood. But then, the real battles are yet to come...
Verdict - Putting formula blockbusters to shame, Fellowship is impeccably cast and constructed with both care and passion: this is a labour of love that never feels laboured. Emotional range and character depth ultimately take us beyond genre limitations, and it deserves to play as wide as a certain Mr. Potter.
5/5
- Colin Kennedy, Empire Magazine
An epic movie if I ever saw one. Captivating and just plain fun to watch. This movie is, indeed, art.
Tolkien’s adventure/fantasy LOOKS and SOUNDS fabulous, but is not without flaws.
RELEASED 2001 and directed by Peter Jackson, “The Lord of the Rings: The Fellowship of the Ring” adapts the first part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth. The story starts in the homeland of the Hobbits (innocent, diminutive humanoids) where Frodo (Elijah Wood) is instructed by the noble wizard Gandalf (Ian McKellen) to quickly leave the Shire with the powerful One Ring in his possession. Gandalf and Frodo are later accompanied by seven others, the titular ‘Fellowship of the Ring,’ to take the ring to the only place it can be destroyed, the fires of Mount Doom in Mordor.
The rest of the main cast include Sean Astin (Sam), Viggo Mortensen (Aragorn), Sean Bean (Boromir), Christopher Lee (Saruman), Orlando Bloom (Legolas), John Rhys-Davies (Gimli) and Hugo Weaving (Elrond).
This three-hour fantasy features a diverse cast of colorful characters, quaint beings and settings, moments of genuine wonder, dark ee-vil creatures, high adventure, thrilling brutal action, a superb score, magnificent locations (forests, mountains, rivers, etc.), and wondrous CGI sets. The film LOOKS and SOUNDS so great that it’d be sinful to give it a lower rating.
There are problems, however, at least for those who aren’t uber-fans of Tolkien. For one, the opening is hindered by prologue that is overlong and convoluted, not to mention unnecessary. The bulk of it could’ve been conveyed later via flashback, which they do a little bit anyway. Secondly, the story takes forever to build any drive. Thirdly, except for maybe Frodo and Gandalf, the characters are shallow and I didn’t care much what happened to them. Fourthly, main protagonists getting seriously wounded and everyone else expressing their melodramatic concern gets redundant.
Fifthly, there are only two females in the main cast (Liv Tyler as Arwen, a half-Elf princess, and Cate Blanchett as Galadriel, a royal Elf); unfortunately, their parts aren’t much more than glorified cameos. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $93 million it cost to make this blockbuster and the filmmakers knew enough to include a couple of prominent babes as key protagonists in the story.
Despite these negatives, “The Fellowship of the Ring” is the best of the trilogy and is a must for fantasy/adventure aficionados, especially Tolkien fans.
THE MOVIE RUNS 2 hours 58 minutes and was shot in New Zealand.
GRADE: B/B- (6.5/10)
Overall, I give this four stars. Not five, because some of the changes really bug me, as a long-time Tolkien fan, but a solid four.
The casting, to start, was brilliant. Sean Astin was the absolute perfect choice for Sam, and did a remarkable job bringing that character to life for us. He really WAS Sam, in this role, in a very deep way. I always liked his acting, but here, he showed how talented he actually is. Just amazing. Elijah Wood gives a great performance of Frodo, and those expressive eyes of his really add a lot of depth to the emotions the character goes through, which are such an important part of the story. Billy Boyd and Dominic Monaghan both did great work, for our other two main hobbits. Their smiles, their singing; just every aspect of these characters was so real. Viggo Mortensen, of course, was excellent. He's always good, and though I never would have pictures him as Aragorn, he delivered everything we could hope for. Great choice for that role! John Rhys-Davies, as expected, gave us the Gimli we wanted. Phenomenal actor, and I can't imagine anyone doing that role better. Orlando Bloom plays a convincing Legolas, and handles the nuances of being an elf quite well. Sean Bean as Boromir was outstanding, bringing the strength of that character to life, and making us love him. Then we have Ian McKellen, as Gandalf. I could never have chosen someone for that role, but the casting folks hit a home run with this one. Everything about his character was just right. Literally everything. I can't read the books without seeing these people in these roles now. The rest of the cast ws good as well.
Then we have the setting. New Zealand has to have some of the most utterly gorgeous scenery on the planet. Seeing it in these movies was great, and convincingly Middle Earth, and seeing more since, in other videos, just WOW! Thanks, to the people of New Zealand, for allowing this to be filmed there!
The sets were just fantastic. Everything looked as good as I'd always hoped it would look, with all the charm, mystery, and wonder Tolkien fan could hope for. From Bag end to Rivendell to the vastness of
Middle Earth, everything we saw was just right.
The only issues I had were some of the changes. Yes, I know things don't always work in movies as they do in books, but when whole sections are just omitted, that bothers me. It's not like the movies weren't long already! That omitted section, with which Tolkien fans will be quite familiar, was a very important part of the plot! I also didn't care for some of the other changes, and the way Arwen was used, the scene at the river being one example.
All in all, though, this was a well done movie, and even though some things bug me, this film, and the rest of the series, will be viewed many times. Classics, worth collecting and treasuring.
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Good Will Hunting 1997 | |
Zeitdauer | 172 Minute |
Freigabe | 1997-12-05 |
Qualität | AVI 1080p TVrip |
Genre | Drama |
Programmiersprache | English |
castname | Sadiqah P. Maeva, Laylan T. Mollie, Munoz N. Marsel |
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Liste von Flugzeugkollisionen in der Luft – Wikipedia ~ Die Liste von Flugzeugkollisionen in der Luft nennt Flugunfälle seit 1945 bei denen mindestens ein Verkehrsflugzeug mit einem anderen Flugzeug in der Luft in Kontakt geraten und abgestürzt ist Außerdem werden nach vorstehender Definition Unfälle genannt bei denen zivile mit militärischen Flugzeugen kollidierten sowie Kollisionen militärischer Flugzeuge untereinander
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No Country for Old Men 2007 | |
Geltungsdauer | 115 winzig |
Freisetzung | 2007-11-08 |
Beschaffenheit | DAT 1080p DVDrip |
Buchgattung | Crime, Drama, Thriller |
Sprache | English, Español |
castname | Rhodes U. Ayers, Jana G. Livvy, Anokhi H. Jett |
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N – Wikipedia ~ N bzwn gesprochen ʔɛn ist der 13 Buchstabe des klassischen und der 14 Buchstabe des modernen lateinischen ist ein Buchstabe N hat in deutschen Texten eine durchschnittliche Häufigkeit von 978 Er ist damit nach dem E der zweithäufigste Buchstabe in deutschen Texten und damit der häufigste Konsonant in deutschen Texten
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NERGIE – Wikipedia ~ Die NERGIE Aktiengesellschaft Nürnberg zählt zu den zehn größten deutschen versorgt große Teile Mittelfrankens und angrenzende Gebiete mit Strom und Erdgas die Stadt Nürnberg zusätzlich mit Wasser und Fernwärme
NGramm – Wikipedia ~ NGramme sind das Ergebnis der Zerlegung eines Textes in Fragmente Der Text wird dabei zerlegt und jeweils aufeinanderfolgende Fragmente werden als NGramm zusammengefasst Die Fragmente können Buchstaben Phoneme Wörter und Ähnliches seinNGramme finden Anwendung in der Kryptologie und Korpuslinguistik speziell auch in der Computerlinguistik Quantitativen Linguistik und Computerforensik
NJoy – Wikipedia ~ NJoy Eigenschreibweise NJOY im RDS mit dem Zusatz „vom NDR“ ist ein HitradioHörfunkprogramm des Norddeutschen Rundfunks NDR mit der Zielgruppe 14 bis 39 Jahre Der Sitz des Senders befindet sich in mchef ist Norbert Grundei
NTerminus – Wikipedia ~ Als NTerminus oder AminoTerminus wird jenes Ende eines Proteins oder Polypeptids bezeichnet welches bei Eukaryoten und Archaeen eine Aminosäure mit einer freien Aminogruppe NH 2 Bakterien beginnen neusynthetisierte Proteine dagegen mit NFormylmethionin fMet bei dem die Aminogruppe formyliert ist Eigenschaften Das Ribosom startet die Proteinbiosynthese am NTerminus mit
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Crash 2004 | |
Geltungsdauer | 173 Niederschrift |
Freisprechung | 2004-09-10 |
Qualität | DAT 1440p Bluray |
Gattung | Drama |
Ausdrucksweise | English, فارسی, Español, 普通话, 한국어/조선말 |
castname | Emerson U. Gugino, Auda Z. Perec, Robles G. Cameron |
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The Notebook 2004 | |
Geltungsdauer | 128 winzig |
Kinostart | 2004-06-25 |
Güte | DTS 720p HDTV |
Genre | Romance, Drama |
Fachsprache | English |
castname | Jeanice N. Lennon, Hania Z. Yubo, Syra M. Cleo |
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Liste der Abkürzungen in Wohnungsanzeigen – Wikipedia ~ Die folgende Liste enthält gängige Abkürzungen in Kleinanzeigen für Wohnungen im deutschsprachigen Raum
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The Lord of the Rings: The Fellowship of the Ring 2001 online stream
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The Lord of the Rings: The Fellowship of the Ring 2001 | |
Dauer | 134 kleinst |
Erlösung | 2001-12-18 |
Eigenschaft | MP4 720p WEBrip |
Buchgattung | Adventure, Fantasy, Action |
Jargon | English |
castname | Ladawn F. Shaily, Jacquet V. Crête, Asenath Q. Arnold |
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Brooking no argument, history should quickly regard Peter Jackson’s The Fellowship Of The Ring as the first instalment of the best fantasy epic in motion picture history. This statement is worthy of investigation for several reasons.
Fellowship is indeed merely an opening salvo, and even after three hours in the dark you will likely exit the cinema ravenous with anticipation for the further two parts of the trilogy. Fellowship is also unabashedly rooted in the fantasy genre. Not to be confused with the techno-cool of good science fiction, nor even the cutesy charm of family fare like Harry Potter, the territory of Tolkien is clearly marked by goo and goblins and gobbledegook. Persons with an aversion to lines such as, “To the bridge of Khazad-dûm!” are as well to stay within the Shire-like comforts of home (their loss).
With those caveats in place, it bears repeating: fantasy does not come finer. There are electrifying moments — notably the computer-assisted swooping camera through Isengard as it transforms into a factory for evil — when Jackson’s flight of fancy approaches the sublime as the romantic poets would understand it: inspiring awe.
Leaving aside the thorny issue of Tolkien die-hards and their inevitable gripes — “What no Tom Bombadil?” — Jackson’s screenplay (written in collaboration with Fran Walsh and Phillipa Boyens) is both bolder and more judicious than Steven Kloves’ surprisingly timid retread of Harry Potter. In particular, rescuing the romance of Arwen and Aragorn from the footnotes and the elevation of Saruman to all-action bad guy actually has a corrective influence on Tolkien’s often oblique and female-sparse source material.
There are problems, though. The three-hour running time is high on incident and low on discernible form. After successive detours to Elf habitats Rivendell (the watery home of Elrond) and Lothlórien (the forest home of the Lady Galadriel), the uninitiated might well ask why these crazy Elf kids can’t just live together and spare us all this attenuated dramatic structure.
More importantly, the action clearly climaxes in the desperate flight from the Mines Of Moria, where the largely seamless SFX is showcased in the best possible light — total darkness — but the narrative demands a different, downbeat ending. Indeed, but for some fine emotional playing from Bean, Mortensen, Astin and Wood, the final fight might feel like a particularly brutal game of paintball in Bluebell Wood. But then, the real battles are yet to come...
Verdict - Putting formula blockbusters to shame, Fellowship is impeccably cast and constructed with both care and passion: this is a labour of love that never feels laboured. Emotional range and character depth ultimately take us beyond genre limitations, and it deserves to play as wide as a certain Mr. Potter.
5/5
- Colin Kennedy, Empire Magazine
An epic movie if I ever saw one. Captivating and just plain fun to watch. This movie is, indeed, art.
Tolkien’s adventure/fantasy LOOKS and SOUNDS fabulous, but is not without flaws.
RELEASED 2001 and directed by Peter Jackson, “The Lord of the Rings: The Fellowship of the Ring” adapts the first part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth. The story starts in the homeland of the Hobbits (innocent, diminutive humanoids) where Frodo (Elijah Wood) is instructed by the noble wizard Gandalf (Ian McKellen) to quickly leave the Shire with the powerful One Ring in his possession. Gandalf and Frodo are later accompanied by seven others, the titular ‘Fellowship of the Ring,’ to take the ring to the only place it can be destroyed, the fires of Mount Doom in Mordor.
The rest of the main cast include Sean Astin (Sam), Viggo Mortensen (Aragorn), Sean Bean (Boromir), Christopher Lee (Saruman), Orlando Bloom (Legolas), John Rhys-Davies (Gimli) and Hugo Weaving (Elrond).
This three-hour fantasy features a diverse cast of colorful characters, quaint beings and settings, moments of genuine wonder, dark ee-vil creatures, high adventure, thrilling brutal action, a superb score, magnificent locations (forests, mountains, rivers, etc.), and wondrous CGI sets. The film LOOKS and SOUNDS so great that it’d be sinful to give it a lower rating.
There are problems, however, at least for those who aren’t uber-fans of Tolkien. For one, the opening is hindered by prologue that is overlong and convoluted, not to mention unnecessary. The bulk of it could’ve been conveyed later via flashback, which they do a little bit anyway. Secondly, the story takes forever to build any drive. Thirdly, except for maybe Frodo and Gandalf, the characters are shallow and I didn’t care much what happened to them. Fourthly, main protagonists getting seriously wounded and everyone else expressing their melodramatic concern gets redundant.
Fifthly, there are only two females in the main cast (Liv Tyler as Arwen, a half-Elf princess, and Cate Blanchett as Galadriel, a royal Elf); unfortunately, their parts aren’t much more than glorified cameos. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $93 million it cost to make this blockbuster and the filmmakers knew enough to include a couple of prominent babes as key protagonists in the story.
Despite these negatives, “The Fellowship of the Ring” is the best of the trilogy and is a must for fantasy/adventure aficionados, especially Tolkien fans.
THE MOVIE RUNS 2 hours 58 minutes and was shot in New Zealand.
GRADE: B/B- (6.5/10)
Overall, I give this four stars. Not five, because some of the changes really bug me, as a long-time Tolkien fan, but a solid four.
The casting, to start, was brilliant. Sean Astin was the absolute perfect choice for Sam, and did a remarkable job bringing that character to life for us. He really WAS Sam, in this role, in a very deep way. I always liked his acting, but here, he showed how talented he actually is. Just amazing. Elijah Wood gives a great performance of Frodo, and those expressive eyes of his really add a lot of depth to the emotions the character goes through, which are such an important part of the story. Billy Boyd and Dominic Monaghan both did great work, for our other two main hobbits. Their smiles, their singing; just every aspect of these characters was so real. Viggo Mortensen, of course, was excellent. He's always good, and though I never would have pictures him as Aragorn, he delivered everything we could hope for. Great choice for that role! John Rhys-Davies, as expected, gave us the Gimli we wanted. Phenomenal actor, and I can't imagine anyone doing that role better. Orlando Bloom plays a convincing Legolas, and handles the nuances of being an elf quite well. Sean Bean as Boromir was outstanding, bringing the strength of that character to life, and making us love him. Then we have Ian McKellen, as Gandalf. I could never have chosen someone for that role, but the casting folks hit a home run with this one. Everything about his character was just right. Literally everything. I can't read the books without seeing these people in these roles now. The rest of the cast ws good as well.
Then we have the setting. New Zealand has to have some of the most utterly gorgeous scenery on the planet. Seeing it in these movies was great, and convincingly Middle Earth, and seeing more since, in other videos, just WOW! Thanks, to the people of New Zealand, for allowing this to be filmed there!
The sets were just fantastic. Everything looked as good as I'd always hoped it would look, with all the charm, mystery, and wonder Tolkien fan could hope for. From Bag end to Rivendell to the vastness of
Middle Earth, everything we saw was just right.
The only issues I had were some of the changes. Yes, I know things don't always work in movies as they do in books, but when whole sections are just omitted, that bothers me. It's not like the movies weren't long already! That omitted section, with which Tolkien fans will be quite familiar, was a very important part of the plot! I also didn't care for some of the other changes, and the way Arwen was used, the scene at the river being one example.
All in all, though, this was a well done movie, and even though some things bug me, this film, and the rest of the series, will be viewed many times. Classics, worth collecting and treasuring.
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